I work with layers, erosion, and restraint.

This painting emerged slowly, built up and then softened back. Translucent forms float and overlap, never fully resolving. I allow edges to blur and surfaces to thin, so earlier marks remain visible, held rather than hidden.
 
The palette is muted, almost breath‑like. Greys, whites, and deeper shadows sit gently against one another, creating pause and rhythm rather than emphasis. Negative space is left open, giving the work room to settle.
 
I am interested in what lingers: quiet gestures, faded impressions, moments between presence and disappearance. The painting does not ask to be understood. It offers space instead, for stillness, for ambiguity, for slow looking.